U.S. Immigration and Customs Enforcement (ICE) Border Patrol agents are detaining two “non-Mexican” migrants linked to Al Qaeda in the Arabian Peninsula (AQAP) and Daesh; The CIA suspects the terrorists of brokering a deal with the Sonora cartel – led by José Rivera (Mircea Drambareanu) – to smuggle terrorists from Mexico into the United States. Former Drug Enforcement Administration (DEA) and CIA agent John Harmon (Steven Seagal), who raided a Sonora compound and killed its former leader, El Mini Oso, is recruited by CIA mediator Matt Beck (Andrei Stanciu) to stop the extremist conspiracy. “There is a scene of love – and, Jesus, what a scene of love. Her fully clothed body is lowered like a drawbridge over a. Harmon explains the absurd plot to you much better than me, so you have to see the movie if you want more information. But one of its best lines will serve as a valid summary. Harmon told Hayek, “We interview some people. If we love them, we give them a box of chocolates. If we don`t, we will kill them. Besides, no one gets a box of chocolates. After a brief chase and shootout between Harmon and al-Mujahid`s men, Harmon learns from Beck that the real target is Abdul Rauf (Ghassan Bouz), the bomb maker responsible for shooting down a Crimea Airlines plane in Syria. Rivera`s men attack Harmon`s refuge and kidnap Hayek; Harmon and Sharp find and kill Al-Mujahid and his men at the Palace Hotel.
Rivera and Rauf flee to the former`s field at Rumelifeneri, but are found by Harmon, who shoots them in the neck or head before kissing Hayek. The film ends with Harmon thinking about the need for agents like him. Here are some relevant facts about Contract To Kill: It was made in Romania; its occupation consists mainly of Romanians; it takes place in Mexico and Turkey. The Turkish and Mexican locals are played by Romanians, and it`s really something to see a thin, mushy guy who looks like he`s been dropped from his job as a cashier at Mega Image, shouting “Move it, gringo!” or “Hey, ese!” to an American star with a printer cartridge dye job. Seagal`s character — called John Harmon, though not that important — is both a retired DEA agent and a retired CIA agent, and he was brought back by a CIA manager who is also definitely Romanian to fight a secret alliance of cartels and terrorists. The scenario is ridiculous; it is obvious. The show is ridiculous. As always, you might point out that Seagal relies on stunt liners when it comes to not sitting or walking in peace. In a pursuit, the ride is made by a double, poorly hidden behind heavily tinted windows, with cuts on the green-screen Seagal when the car comes to a stop. There`s an excruciatingly long scene in which Harmon is threatened by a remote-controlled drone with a plastic can on the ground. The effects can`t really be called effects. If Seagal really became “Full Orson,” “Contract to Kill” is his “Chimes at Midnight.” Writer and director Keoni Waxman`s script is so vast that it plays like the film`s Wikipedia page.
Seagal is busy explaining everything to the viewer. He speaks SLOWLY, and most of what he says is terrible like a plum. For example, a first interrogation scene in prison turns into a five-minute essay on how John Harmon de Seagal understood the criminal`s modus operandi. They are sort of Mexican drug lords, Arab terrorists and a plane exploded by a bomb. The terribly rendered and explosive F/X plane must have cost a lot of money, because “Contract to Kill” repeats the tasteless effect four times. While cute little children are playing football, body parts suddenly rain down on them from the sky. But the combination of unfiltered vanity and incredible laziness is exactly what makes a Steven Seagal movie. The star only plays clever, jerky badasses, but he can`t bother getting up or learning his dialogues. He speaks each line as if he remembered it vaguely, with a lot of uhs and ums.
At one point, he is assembled in a shot of a tunnel while the camera tilts to give the impression that Harmon is leaving because Seagal himself cannot cross a tunnel. It`s not Ed Wood`s sincere incompetence that makes a movie like Contract To Kill, but the complete absence of any quality other than ego. There are scenes that only exist for Harmon to share his deep thoughts on geopolitics with an audience of characters who nod their heads carefully. (Of Puerto Rico, he says, “You have a situation. It`s a little bit very different. Seagal looks terrible, sounds terrible and seems to be wrapped regularly. Objectively speaking, Contract To Kill is the most negligent film that has been released by a major studio in a few years. its standards can even be described as negligent. It belongs to a museum, with all the other seagal curiosities. I walked into the sex scene and couldn`t watch after that. I felt really sorry for the girl.
This movie IS Decker. The main character is Steven Seagal, who delivers his lines with audible pauses and completely unnatural intonation, sometimes trying to pull a Chicago ebony from the 70s. It is extremely out of shape. In one scene, he`s jogging down a hallway and it`s in front of a green screen! Every time he engages in light martial arts, his face turns into a disturbing tinge of purple and red. Steven Seagal`s rare film coming out in American cinemas, Contract To Kill, is so crude and anti-cinematic – so damn bad – that it becomes a parody in its own right. It`s a treasure, like all the God-fearing movies that the only black belt has released with the help of his dedicated team of “whatever, safe” men. (This is the third film of its kind by writer and director Keoni Waxman this year.) Seagal, in its triangular spinning top Bela-Lugosi-in-Dracula and dresses picked directly from a large and large factory store and orange oakleys, walks steeply and very slowly. It is possible that he never leans at the waist.
He spends most of the film sitting or (again slowly) going up and down the stairs. There is a scene of love – and, Jesus, what a scene of love. Her fully clothed body is lowered like a drawbridge over a. He does not take off his glasses. He never takes off his glasses. Plus, he doesn`t drive, which is a shame as it`s a well-documented fact that Seagal is the worst fake driver in Hollywood; This may be the first time this green screen – a truly terrible green screen – has been used to make it look like an actor is simply sitting in a parked car. Overall, it gives the kind of performance traditionally associated with stars who died during filming. And yet, Seagal can be seen in almost every scene. Harmon Zara Hayek (Jemma Dallender) also attends. Her job is to do what attractive women of this kind have been doing for decades: she undresses, has a poorly cut and topless sex scene with Harmon, and although she is able to throw a punch that starts and ends with her always on screen, she is reduced to being a girl in need. The cynic in me noticed that although she is much smaller than Seagal, the bad guys manage to connect with her much more violently than with him. On the plus side, Hayek can rock a red dress that is so noisy that it evokes pleasant memories of the one Irene Cara wore in “Sparkle.” The current incarnation of Seagal is not fun at all.
Of course, his movie titles remain as attached to the three-word format as Robert Ludlum`s novels, but that`s the only thing that hasn`t changed. .